Artists were paired up with each other, and went against another pair; contestants were encouraged to combine their labor and collaborate, which could take any form they preferred. For example, there were a few teams who did traditional writer/artist pairs[…]↓ Read the rest of this entry…
Oh also remember when i said in the last post that the public polls don’t determine the winner? Yeah, turns out I kind of lied. In extreme cases, where Abbadon cannot decide on the results himself, he turned to the[…]↓ Read the rest of this entry…
This epilogue also began a continuing trend through my other rounds, namely Fei keeping in touch with the people she’s met through the tournament. There’s absolutely no way this will come up later on.
One other important thing to note about my whackass workflow is that while I do my art in Flash, I do my mechanical design in LEGO Digital Designer; the upgraded Rabbit and another thing you’re about to see real quick[…]↓ Read the rest of this entry…
And this is the moment that forever cemented “disaster hero” as core to Fei’s entire character arc.
The cowboy skellington is Lucius Sumac, one of the original 258 entrants who didn’t make it in, but whose design I still enjoyed. Their artist was 77 Noodles Swirl in the Bowl.
The fighter Fei is punting across the arena is Ra’akshi, who ultimately went on to win the entire damn tournament. I remember messaging Magistelle, his artist, early on in round two and very nervously asking for permission to do harm to[…]↓ Read the rest of this entry…
This is definitely one of my favorite pages I’ve done this entire tourney, not the least of which because about a month later, the concept of a human and devil merging to create a devilskin warrior was formally introduced into[…]↓ Read the rest of this entry…
One of the biggest things I continued to work on in regards to Fei’s world was the way in which Devils operated in the world. In the universe of Kill Six Billion Demons, devils are subdivided into specific tiers based[…]↓ Read the rest of this entry…
Welp, this is definitely one of the most brutal pages I had to draw.